Your rig. One app. Nobody stuck at the console.

An application that hears the music and drives your DMX lighting in real time — with the fixtures already hanging in your venue.

120+
BUILT-IN SCENES
50+
VIDEO VISUALS
6
MUSIC MODES
0
SCENES TO PROGRAM

Hear the beat. Name the part of the track. Light it.

That loop closes a few hundred times a minute, all night, without anyone deciding anything.

01 — LISTENS

Tempo and beat from the audio input, accurate to a few milliseconds. No timecode, no MIDI clock, no tracklist.

02 — UNDERSTANDS

Silence, breakdown, drop, mid-section — named as they happen, with the dynamics chosen to match.

03 — LIGHTS

One scene fires and describes the entire rig at once, so the whole venue moves as a single picture.

WHAT IT DRIVES

Universal profiles, so the same scene plays on anybody's fixtures.

Nothing here has to be bought. If it speaks DMX and hangs in your venue, it belongs in the patch.

MOVING HEADS
Pan, tilt, colour and dimmer, calibrated against your own floor.
LASERS
Driven like any other fixture, on the same beat as the heads.
LED PARS
Colour and intensity, set per single unit or per group.
LED BARS
Static and moving bars, driven as one element of the scene.
WASH
Colour that fills the venue and follows the section, not a loop.
HAZERS & SMOKE
Triggered on cue, like every other DMX device on the line.
MODES
Techno
House
Disco
Hip-hop
Drum & bass
Concert
WHAT A MODE ACTUALLY CHANGES

Picking a mode is not just swapping the scenes assigned to it. Above all it swaps the beat-detection algorithm, and that algorithm is different for every kind of music.

A four-on-the-floor kick and a broken drum & bass pattern are not read the same way, so each mode listens on its own terms — and the whole night is set by one choice at the start of it.

SYSTEM
REQUIREMENTS
Apple silicon · Art-Net · Audio input
A Mac with an M1 chip or newer at the booth, any Art-Net interface on the network, and the sound of the venue on an input.
LICENCE & UPDATES
Renews and updates itself
The subscription status refreshes automatically whenever the Mac is online, and new versions arrive the same way. Nothing to re-enter, no licence file to keep.
OFFLINE PERIOD
30 days without internet
The venue network can be down and the night still runs.
INSIDE THE APPLICATION

Now look at the screen that runs the night.

There are four things to see: what the app hears, where your fixtures hang, manual control for a live band, and the remote in your pocket. The first one is the app thinking out loud.

The coloured bars are the track-state history

Every bar is a segment of the set as the app read it while it played: the warm run is the build, the short dark stretch a breakdown where the rig pulls back on its own, the red the drop. That readout is the product.

Main screen with track state history
Main screen with track state history

See every fixture, live

Beams drawn as they are sent, fixtures dragged to where they hang in the venue, and the universe and channel range on every device in the patch — so what you read on the plan is what is on the wire.

Venue plan with live beams

Take manual control when the band plays

The one mode that does not listen: the analysis stops and you set the scene by hand — heads on a joystick, bars, PARs and every other fixture — and it holds exactly like that until you change it.

CONCERT mode

The whole venue, from your pocket

The everyday controls run from a phone or a tablet: mode, dynamics, colour, brightness, muting whole fixture groups, NOW PLAYING and blackout. All it needs is the same Wi-Fi as the Mac — no extra hardware, nothing installed.

Pair by scanning a QR code, enter a PIN, and the connection is encrypted.

Phone remote control
VIDEO VISUALS

The lights are not the only thing that follows the music.

The same engine that drives the rig also drives the screen. Over 50 built-in visuals react to the audio in the venue, and anything you add of your own is locked to the detected tempo — so the wall behind the DJ hits the beat the fixtures hit.

50+

Audio-reactive effects

Built in and driven by the same analysis as the lighting, so they move with the track rather than on a timer. The library keeps growing with every update.

YOUR MATERIAL

Your own clips, on tempo

Drop in video the venue already owns and it plays synchronised to the detected tempo instead of drifting against it.

BRANDING

Any logos you want on the wall

The venue's mark, a promoter's, a sponsor's — whatever the night calls for. Next to it, a banner with the name of the DJ currently playing, swapped between sets rather than between events.

Six things that matter on site.

Works with the fixtures you already own

Universal profiles across manufacturers.

Learns your venue

Aim the heads at a few points on the floor once; every scene then knows where the floor is.

Plays offline

Up to 30 days with no internet.

Control it from your phone

QR code, encrypted link, PIN.

Visuals on a second screen

Audio-reactive effects, your clips on tempo, club logo, DJ banner.

Manual mode for live bands

CONCERT mode: no audio analysis, the whole scene set by hand.

Where it runs.

Packed club dance floor under moving-head beams
Clubs
Band playing on a live venue stage
Live venues
Wedding reception dance floor in the evening
Weddings & events
Outdoor night event with beams over the crowd
Outdoor

Pricing

One licence covers one workstation, with every update, support and offline operation included. Deployment is quoted separately, once.

MONTHLY
1 500 PLN
net / month (+ VAT)

Billed monthly. Cancel at any time.

  • Licence for one workstation
  • All updates
  • Support
  • Offline operation up to 30 days
Request a quote
ONE-OFF SERVICE — NOT A SUBSCRIPTION PLAN
DEPLOYMENT
Priced individually

Configuration for your rig, fixture profiles, head calibration and scenes prepared around what the venue plays. Quoted per venue, paid once.

Ask for a deployment quote

Tell us about the venue.

Fill in the form so we know who you are and what you are interested in. We will come back to you with a quote.